“I went for the part because of the nuance,” says Coleman. “Things appear a certain way, but underneath, there are politics and family dynamics and push and pull… I think that’s actually why I love period drama so much – because it’s about humanity versus social conventions, and beneath the surface there are all these secrets and lies. […] I’ve definitely got the fear. But it’s the good fear you get when you’re excited by something, and not quite sure you can do it.” The relentlessness of the nightly performance schedule does not daunt her in the least. “People keep saying it’s really tough, but after doing 14-hour days for 10 months absolutely straight…”
— Jenna Coleman for Harper’s Bazaar on her upcoming performance in All My Sons